Category: Bale

The Homage is Not Enough: on the Limits of Nostalgia-First Narratives

On By DFLovettIn Alien, Bale, Fargo, Literature, Mr. Robot, Nostalgia, Ready Player One, Shakespeare, Stranger Things, Television, True Detective

In the summer of 2016 everyone started telling me that I had to watch a show called Stranger Things. I was reluctant. The reluctance came from the way it was sold: the entire series was one large nostalgia fest for ‘80s Spielberg, Stephen King novels, and Dungeons and Dragons.

It’s not that I don’t like Stephen King or Indiana Jones or battling bugbears. But I had just finished consuming two pieces of media that banked heavily on nostalgia and ham-fisted homages: the show Mr. Robot and the novel Ready Player One.

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A poster for the upcoming Ready Player One, which this is not a review of.

I had walked away from both Mr. Robot and Ready Player One with a general uneasiness, a queasiness, the stomach ache that comes from too much of any one sweet thing. In the case of both of these, that one thing was the overdose of both

  1. knowing that I had consumed something whose originality was constantly undermined by heavy doses of allusion and homage and
  2. knowing that I had consumed something for which I, a heterosexual white millennial male with an English degree and a penchant for science fiction and a job in digital marketing, was the target demographic.

When I finally did watch Stranger Things, it did not disappoint me in the way that Mr. Robot and Ready Player One both had. Sure, the entire thing has major IT and The Body vibes and there was even a moment where a character is reading Stephen King’s Cujo. The entire thing is, as Stephen King himself said, crowded with Stephen King easter eggs and nods:

But there’s something different about Stranger Things. Something deeper. More tactful, subdued, and thoughtful.

(Stranger Things is not the only nostalgic work that works. FX’s Fargo, crowded with references to O. Henry and Samuel Beckett and, naturally, the Coen Brothers, is a good example of another show that executes where others fail.)

What is it that made Stranger Things work while Ready Player One and Mr. Robot both, in this blogger’s opinion, come up short? It’s a very fine line, but also a bell that, once crossed, is hard to unring, regardless of whom it tolls for. Continue reading “The Homage is Not Enough: on the Limits of Nostalgia-First Narratives” →

Some takes on 2017, before it ends

On By DFLovettIn Bale, Books, Christmas, Donald Trump, Game of Thrones, Jeff Goldblum, Kurt Vonnegut, Literature, Movies, Star Wars

The end of 2017 is nigh. And with it, the top ten lists, the retrospectives, the predictions. Rather than the Top Books Published in 2017 or the Best Films of the Year or anything like this, here’s my list of opinions, ideas, and arguments that I have not already written about in 2017 and would like to make sure I write about before the year is up and they become potentially irrelevant.

So, here we go.

The Literature Takes

One. Are we living in Vonnegut’s unfinished final novel?

I’ve already written about how painfully the current world resembles a Vonnegut novel. But as nuclear war ticks closer, metaphors invade real life, and madmen in decline occupy the highest positions of power, it’s worth wondering if we might simply be living in Vonnegut’s world.

According to his book A Man Without a Country, Vonnegut had an unfinished novel at the end of his life, a novel with little-to-no prospect of ever being finished. He called it If God Were Alive Today and describes it as

“…about Gil Berman, thirty-six years my junior, a standup comedian at the end of the world. It is about making jokes while we are killing all the fish in the ocean, and touching off the last chunks or drops or whiffs of fossil fuel. But it will not let itself be finished.”

AManWithoutACountry

Is it possible that this is where we are right now? Is Vonnegut writing our history from a different place? Is this idea really dramatically different than Elon Musk saying we living in a simulation? Or the suggestion made by philosopher David Chalmers that we are not just in a simulation, but one that is breaking? Wouldn’t it be at least more reassuring to think that we are in a Vonnegut novel, rather than a computer program that is slowly breaking down? Continue reading “Some takes on 2017, before it ends” →

Why That Game of Thrones Fan Theory Is Not a Game of Thrones Fan Theory

On By DFLovettIn A Game of Thrones, A Song of Ice and Fire, Bale, Fan Theories, Fan Theory, Game of Thrones, James Bond

The internet loves a good fan theory. The trouble is, the phrase “fan theory” has started to go the way of words like content or hipster or artisan or any of the other words whose definitions are so vague, so all encompassing, that they have very little meaning at this point.

“Fan theory” is currently used as a descriptor for the following things:

  • A prediction for an upcoming storyline
  • Analysis of a character’s motivations
  • Analysis of a storyline
  • Fan fiction
  • The dissection of a trailer and conclusions drawn from moments in said trailer
  • Explanation of subtext, predicated on the explainer failing to recognize subtext.
  • Recognition of dramatic irony or a plot turn before the reveal

None of the above should be considered fan theories, in the opinion of this blogger.

So then, you may ask, what the heck qualifies as a fan theory?

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And yes, I’m including “R + L = J” as something that is not, and never was, a fan theory. It’s a storyline, folks, not a theory you invented.

What is a fan theory?

I’ve been seeking to answer this question for a while, and previously dedicated an entire blog post to it: What We Talk About When We Talk About Fan Theories. And while I’m happy with that article and its reception, I find that the term “fan theory” is increasingly bandied about, with increasingly little meaning, especially during Game of Thrones season.  Continue reading “Why That Game of Thrones Fan Theory Is Not a Game of Thrones Fan Theory” →

From Short Films to the Big Screen: The Parallel Journey of Batman and Christopher Nolan

On By DFLovettIn Bale

The following was written by WWBD columnist Intern-iana Jones. Enjoy!

The inexplicable fascination behind the Batman film franchise reflects the mystery of its main character, as well as the brilliance of one Christopher Nolan. The Dark Knight, as you all know, is the alter ego of Bruce Wayne, while Nolan is a talented filmmaker who brought this famous comic book superhero to lifelike proportions. This partnership has somewhat bridged generations of fans – from casuals to diehards – and has evolved throughout the years.

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Batman’s Pop Culture Influence

The Dark Knight’s versatility mirrors some facets in real life that influence a lot of people. Just like in online games, DC has created a protagonist that fans can easily relate to and see development as each story progresses. From what started as a simple 60s TV character, Batman transformed into this intriguing vigilante that’s the subject of even the most trivial of things in video games and in real life. For one, Macau is building a Gotham City-inspired casino worth $3.2 billion. Even console and online gaming companies have got in on the act. The Batman Arkham Knight game on the Playstation 4 and Xbox One incorporated a casino storyline involving one of his many arch-nemesis, The Riddler. On the other hand, UK-based online gaming platform, Spin Genie, dedicated a slot machine variant for the film The Dark Knight Rises. In a way, the Batman character wouldn’t have been this huge worldwide if it weren’t for the man behind his resurgence on-screen, Christopher Nolan.

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Christopher Nolan’s Eye for Excellence

Way before he hit the multi-million dollar box office with masterpieces such as The Dark Knight and Interstellar, Christopher Nolan has been altering the norms of convention with his psychological thriller project called Doodlebug. The 1997 short film featured Following (Nolan’s feature debut) main star, Jeremy Theobald. Here, Theobald’s character tries to kill a bug inside a dingy apartment while holding his shoe by its toe. Doodlebug captures Christopher Nolan’s inborn talent in storytelling and how he sets the overall mood of a film. Aside from this, he’s also the man behind short films such as Larceny and Tarantella. Like Doodlebug, the former starred Jeremy Theobald in his very first acting role, while the latter is Nolan’s 1989 collaboration with friend, Roko Belic, while he was attending UCL’s film society. These short films paved the way for Christopher Nolan to hone his craft and come up with future blockbusters that touch into the human psyche – similar to Batman’s journey from a naïve orphan kid to a crime-fighting superhero.

No More Gritty Reboots: Why Lego Batman and Legion Are the Future of Superheroes

On By DFLovettIn 2016 Election, 2017, Bale, Batman, Batman 1989, Batman Begins, Batman v Superman, Comics, Dark and Gritty Reboot, Fargo, Film, Legion, Reboot, Superhero, Superheroes, Television, The Lego Batman Movie

Yes, this blog is dedicated to “an ongoing exploration of the dark and gritty reboot.” But, as written about in the previous post on this blog, The World Needs Bad Men, it’s time to admit that the dark-n-gritty reboot has run its course. The anti-heroes have ascended to the White House. It’s time for a new superhero narrative.

The last week has given us two new incarnations of the superhero show: Legion, a television show on FX, and The Lego Batman Movie, a family-friendly animated feature.

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Perhaps the first Batman promotional image to show a smiling Caped Crusadser.
The Lego Batman Movie is as meta as any superhero film has been, and that includes 2016’s Deadpool and 2015’s Ant-Man. The jokes are more family-friendly than those of Deadpool, but TLBM is arguably the more mature of the two films. TLBM, coming on the heels of The Lego Movie and followed soon by The Ninjago Movie, is the sign of much more to come.

Legion, meanwhile, is a serious and frightening television series about a man in a mental hospital who is either mentally ill, a mutant with superpowers, or both. It’s from Noah Hawley, the creator of the Fargo television series, and unravels in a non-linear manner.

But I’ve come here not to review these two works. Enough people are already reviewing these two works. The reviews are both positive and, in my opinion, accurate. What I’m here to say is that these works are two complementing examples of what we should start demanding from our screen adaptations of superhero tales.

The superhero is tired; these narratives give him hope. Let’s look at why they work, and how other narratives can learn from them.  Continue reading “No More Gritty Reboots: Why Lego Batman and Legion Are the Future of Superheroes” →

The True Theme of 2016: Never Meet Your Heroes

On By DFLovettIn 2016, 2016 Election, 2017, Bale, Joyce Carol Oates, News, Politics, Pop Culture, Television

Hating 2016 and wishing for it to end has perhaps been the meme of 2016. It has been called a dumpster fire and was declared to “even sucked for Kim Kardashian.” Beginning in July and continuing non-stop, this year was deemed to “suck” and we saw a flood of hot takes either labeling it the worst year in living memory or at least asking the question of how bad it really was.

How bad was 2016?

I’ve only lived for thirty years, but am confident this wasn’t even the worst year I’ve seen of my lifetime. 2001 was awful. 2004 wasn’t great either. 2008 had the financial crisis, the rise of Sarah Palin, the death of Heath Ledger, and apparently Elon Musk’s personal rock bottom. Armed with the right confirmation bias and armory of evidence, one could make an argument that really any year is the worst.

It’s also worth noting that not every take on the outgoing year is as reductive and hyperbolic as “the worst!” Jia Tolentino called it “The Year We Played Ourselves” in The New Yorker. Stephen Pinker pointed out that, if you ignored headlines and value facts, 2016 is better than its previous years in almost every way. It was arguably the best year ever for black filmmakers and apparently the year that solar panels finally became commercially viable. The Economist, meanwhile, awarded “The Economist‘s country of the year award” to “plucky Estonia.” Congrats Estonia!

But there is one theme I see everywhere I look, from the Nobel Prize to the election of Donald Trump to the author of Harry Potter. One piece of wisdom, one particular theme, one pervasive lesson: the classic advice that you should “never meet your hero.”

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Yes, this article is about heroes and 2016, and Bowie sang about “Heroes” and died in 2016, but it has little to do with Bowie.

To recap exactly how this theme presented itself throughout the last year, I’ve catalogued a list of disappointing heroes and their disappointed fans from the last twelve months.

Why shouldn’t we meet our heroes?

Before we jump in, it’s worth reminding ourselves of why exactly we should never meet our heroes. Ultimately, it always comes down to disappointment. They aren’t who you thought they would be. They’re not doing what you wanted them to do. The things they said that made you admire them? Either your hero never meant those things or they don’t mean them anymore or they never meant what you thought they did.

And now, let’s take a look at all the disappointment heroes unleashed on their admirers. Continue reading “The True Theme of 2016: Never Meet Your Heroes” →

In Honor of Moby-Dick’s 165th Birthday, the 10 Best Moby-Dick Homages, Adaptations, and Celebrations

On By DFLovettIn Bale, Books, Hemingway, Kurt Vonnegut, Literature, Moby-Dick, Star Trek, Wes Anderson

Happy Birthday, Moby-Dick!

Not the whale, but the book. 165 years ago today, Herman Melville’s epic novel was published in America for the first time. (A different version of it had come out in England one month earlier, but today is accepted as the anniversary of the version the world knows).

In honor of this anniversary, I think it’s worth taking a moment to look at the books, movies, music, and more that we have as a result of Moby-Dick‘s legacy.

Leviathan ’99 by Ray Bradbury

“The doomed crew of a starship follows their blind, mad captain on a quest into deepest space to joust with destiny, eternity, and God Himself . . .”

leviathan-99

Sound familiar? This novella—collected alongside “Somewhere a Band is Playing” in Bradbury’s Now and Forever—is an unapologetic retelling of Moby-Dick. It’s also sci-fi, set in space, like one or two other works on this list.

Note that this isn’t only a book, but has also been a radio production and a play.  Continue reading “In Honor of Moby-Dick’s 165th Birthday, the 10 Best Moby-Dick Homages, Adaptations, and Celebrations” →

The Beginner’s Guide to Kurt Vonnegut: How to Finally Start Reading Vonnegut’s Novels

On By DFLovettIn Bale, Books, Literature

There has never been a better time to start reading Kurt Vonnegut. To begin with, today is his 94th birthday. Second, we appear to be living inside one of his novels, with an egocentric billionaire slouching toward the White House, the National Anthem at the center of controversy, and our entire existence increasingly descending into a parody of itself (for more on all of this, see my article What Would Kurt Vonnegut Say About the 2016 Election?)

But where to begin? The first Vonnegut novel was published over six decades ago. In the next fifty years of his life, he wrote another thirteen novels, hundreds of short stories and essays, one play, and created a series of paintings and drawings.

I’m here to tell you where to start, and how. You should read Kurt Vonnegut’s novels, if you haven’t already. Should you read all of them? That depends. But you should at least read one of them. (Note: this blog post originally began as something I wrote for the /r/truebooks subreddit, for people looking to read more Vonnegut and not sure where to start.)

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One of many.

In order to give you some guidance in determining a reading order for his lists, I’ve divided his novels into three tiers:

  • Tier One: The novels to start with. His masterpieces. Or, if you’re only going to read one or two of his novels, choose one from this list.
  • Tier Two: The ones to read after you’ve burned through the first tier. Not that these are worse, but they are perhaps less accessible, or won’t make as much sense unless you’ve read the others first.
  • Tier Three: The novels that are either very bizarre, very meta-fictional, less novels than thought experiments, or the ones that expect you to have a greater understanding of who Vonnegut is before tackling.

Make sense? Let’s begin:

Which Vonnegut Novel to Read First?

So you want to read a Vonnegut novel, but not sure which one? I recommend beginning with one of these four:

Cat’s Cradle (1963)

I consider this to be the first (chronologically) of his best novels. It’s also a great introduction to Vonnegut, and it’s easy-to-read, through his use of short chapters and fast pacing. Opens with a Moby-Dick reference, explores religion, science, war, and the apocalypse, and includes some very fun characters. Continue reading “The Beginner’s Guide to Kurt Vonnegut: How to Finally Start Reading Vonnegut’s Novels” →

What Should Mr. Robot Pay Homage to in Season Two?

On By DFLovettIn American Psycho, Bale, Bateman, Books, Bret Easton Ellis, Fight Club, Kurt Vonnegut, Movies, Mr. Robot, Reboot, Reboots, Star Wars, Television

The critically-acclaimed, award-winning cable series Mr. Robot is notable for a number of reasons, with a big twist: in the final two episodes, you realize you’ve been watching a ten hour unlicensed Fight Club reboot. One could say that the twist is “Elliot was Mr. Robot all along!” just like the twist in Fight Club is “Edward Norton was Brad Pitt all along!” but to me the twist was simply that Mr. Robot was Fight Club all along.

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Where is Mr. Robot’s mind?

Some people saw the “twist” coming, but I didn’t know I was watching a Fight Club reboot until the final few episodes, when a character is revealed to be imagined, the protagonist fights himself,  and a piano cover of “Where is My Mind” plays in the background. (Probably worth noting it was the same song used in The Leftovers, which I saw first and still think used it better.) Continue reading “What Should Mr. Robot Pay Homage to in Season Two?” →

Is There a Connection Between Bran Stark and “Uncle John’s Band”?

On By DFLovettIn A Game of Thrones, A Song of Ice and Fire, Bale, Books, Game of Thrones, HBO, Literature, Television, The Grateful Dead

In a previous blog post, I investigated the possibility that George R.R. Martin took inspiration for Arya Stark’s storyline from the song “Dire Wolf,” by the Grateful Dead. I’m far from the first person to make connections between Martin’s words and the Dead’s lyrics, as this has been a topic of speculation and deduction for years.

But there is one song that I have never seen discussed, despite it having some very Westerosi imagery: “Uncle John’s Band,” the first track on the 1970 album Workingman’s Dead. 

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Now, unlike my theory that Arya’s story is directly lifted from the song “Dire Wolf,” this theory is slightly more half-baked, but not for lack of trying. “Uncle John’s Band” is a beautiful, lyrical song, simple in sound but complex with metaphor and references. As described by David Dodd in the “Greatest Stories Ever Told” series on dead.net, the song “carries within it enough room to consider the universe and our lives in the universe — it seems to be a universe itself.” Continue reading “Is There a Connection Between Bran Stark and “Uncle John’s Band”?” →