Category: HBO

Is There a Connection Between Bran Stark and “Uncle John’s Band”?

On By DFLovettIn A Game of Thrones, A Song of Ice and Fire, Bale, Books, Game of Thrones, HBO, Literature, Television, The Grateful Dead1 Comment

In a previous blog post, I investigated the possibility that George R.R. Martin took inspiration for Arya Stark’s storyline from the song “Dire Wolf,” by the Grateful Dead. I’m far from the first person to make connections between Martin’s words and the Dead’s lyrics, as this has been a topic of speculation and deduction for years.

But there is one song that I have never seen discussed, despite it having some very Westerosi imagery: “Uncle John’s Band,” the first track on the 1970 album Workingman’s Dead. 

workingman

Now, unlike my theory that Arya’s story is directly lifted from the song “Dire Wolf,” this theory is slightly more half-baked, but not for lack of trying. “Uncle John’s Band” is a beautiful, lyrical song, simple in sound but complex with metaphor and references. As described by David Dodd in the “Greatest Stories Ever Told” series on dead.net, the song “carries within it enough room to consider the universe and our lives in the universe — it seems to be a universe itself.” Continue reading “Is There a Connection Between Bran Stark and “Uncle John’s Band”?” →

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Is Jeb Bush Becoming the Stannis Baratheon of the 2016 Election?

On By DFLovettIn 2016 Election, A Game of Thrones, A Song of Ice and Fire, Game of Thrones, HBO, Politics2 Comments

You should avoid reading this unless you’ve seen seasons one through five of Game of Thrones. 

It’s obvious. I know. It’s cheap and easy. It’s the cheapest joke this blog has ever made. It’s so obvious that when you google “Jeb Bush Stannis Baratheon,” the first thing you see are articles like this and this and this and each of them even apologize for how cheap and obvious this joke is.

Jeb definitely has a better hair line.
Jeb definitely has a better hair line.

But here’s the thing: Jeb Bush is becoming Stannis Baratheon, and it’s looking to be painfully accurate. In two distinct ways.

Continue reading “Is Jeb Bush Becoming the Stannis Baratheon of the 2016 Election?” →

What Would Christian Bale Do in Season Three of True Detective?

On By DFLovettIn Bale, Christian Bale, HBO, Television, True DetectiveLeave a comment

I’m one of the lone defenders of True Detective’s second season. So far, I can count on one hand the people I know who actually liked it.

People didn't like this season? What do you mean?
People didn’t like this season? What do you mean?
While I disagree with the complaints and criticisms that have been leveled and hurled against it, I’ll admit that some of the complaints were grounded in a truth I also see: too many main characters. The pilot felt cluttered, as did many of the episodes. The death of one protagonist (of the four) at the end of the seventh episode came almost as a relief, as it meant we would have fewer plotlines, fewer threads, fewer scenes to cut between in the finale.

There are those who say that, whether or not True Detective was good, you cannot say that it moved the detective genre forward in any meaningful way. I don’t necessarily get on board with that, as I think that this season had moments of devastating brilliance which I’ve already discussed.

What I do think is that the third season, in order to move forward, needs to look back. A story that is more classically noir, in which one character is the detective and this one detective is at the center of every scene. Something that resembles the works of Raymond Chandler or Dashell Hammett, the kind of first person hardboiled narrative emulated by Jonathan Lethem and Bret Easton Ellis, the kind of story where the only facts we get are the ones that we get through the eyes and ears of the protagonist.

Continue reading “What Would Christian Bale Do in Season Three of True Detective?” →

What Would Faulkner Say About True Detective Season Two?

On By DFLovettIn Books, HBO, Literature, Television, True Detective2 Comments

In a previous post, I’ve argued that no one should call a show good or bad until the end is known. Which means, now that the end is known, we can decide if True Detective‘s second season was good or bad.

People love complaining about how confusing the plot of this season was. And I won’t disagree. The show’s storylines sprawled and overlapped, losing its audience. Some moments lingered, while other plotlines appeared and disappeared without explanation.

You didn't like it? Shhhhhh.
You didn’t like it? Shhhhhh.

But why is this a bad thing? Are we supposed to understand all the media we consume? Do things have to make immediate sense in order to be good?

TD’s second season and its response reminds me of a famous anecdote about William Faulkner and Raymond Chandler. Faulkner had adapted Chandler’s novel The Big Sleep into a film, and during filming he and director Howard Hawks realized there was something they didn’t understand. Had a certain character committed suicide or was he murdered and, if murdered, who did the murdering? And the best part, the part that makes it an anecdote worth repeating, is that Chandler couldn’t figure out the answer either. Chandler didn’t understand the plot of his own novel. Continue reading “What Would Faulkner Say About True Detective Season Two?” →

Thirteen Ways to Fill the Flat Circle After Season Two of True Detective

On By DFLovettIn Bolano, Books, HBO, Literature, Matthew McConaughey, Television, the sound and the furious, True Detective1 Comment

Well, Season Two is over. Whether you are satisfied with the ending or not, chances are that you are a little bummed that you don’t get to watch it next week. Lucky for you, we have a list of things to watch and read if you are a fan of True Detective. Time might be a flat circle, but it doesn’t mean it all has to be the same thing.

Watch David Lynch’s Twin Peaks

If you’re trying to jump straight into another show, especially one with a murder and detectives and dream sequences and unconventional storylines, then here you go. The show is created by genius David Lynch, who also wrote and directed many of the episodes. It’s also populated with dark humor and strange mysteries, some of which, like the mysteries in True Detective, will remain unsolved.

A moment from the Twin Peaks pilot.
A moment from the Twin Peaks pilot.

Watch Bored to Death on HBO

If, on the other hand, you still want mystery but you’re craving some levity after all the murder and collusion and darkness, try Bored to Death. It stars Jason Schwartzman as Jonathan Ames, a struggling writer and Craigslist-using unlicensed private detective, Zach Galifinakis as his illustrator best friend, and Ted Danson as his wealthy, childish, editor boss. Like True Detective, there are disappearances and blackmailers, but the tone is lighter and the jokes abundant.  Continue reading “Thirteen Ways to Fill the Flat Circle After Season Two of True Detective” →

True Detective vs. Friends: Did Ross Geller Lose Custody of His Son?

On By DFLovettIn Fan Theories, Fan Theory, Friends, HBO, Television, True Detective, TV18 Comments

Enjoy fan theories? Check out more fan theories here, or buy D. F. Lovett’s novel The Moonborn here. 

A recent scene in True Detective got me thinking about something I haven’t thought about in a long time: Friends. In probably the saddest scene of the second season, Ray Velcoro and his son Chad eat pizza in silence while watching the famous sitcom. It’s Chad’s idea.

chad_friends Friends strongly contrasts poor little Chad’s reality. Friends is about a group of six, fun-loving twenty-somethings in Manhattan in the 1990s and early ’00s. Chad, on the other hand, gets bullied at school and has supervised visits with his father, a corrupt cop with a penchant for cocaine and at least one murder in his past.

But as I watched Ray Velcoro get overly-intoxicated alone and destroy his apartment, I started to think harder about how much this reality really is different from that of the Friends friends. Sure, the antics on Friends were slightly more cheeky and fun. The guys had a menagerie of fun pets. Monica dated Tom Selleck. Phoebe wrote jingles about cats. Ray Velcoro, on the other hand, threatens children and promises to “buttfuck your father with your mom’s headless corpse on this goddamn lawn.”

But one character didn’t seem dramatically different from Ray Velcoro. That character is Ross Geller. Sure, on first thought, Ross’s shenanigans seem just as cheeky and fun as the rest of the gang. He loves dinosaurs. He dresses up as the Holiday Armadillo. He claims to have invented the Got Milk? catchphrase. Continue reading “True Detective vs. Friends: Did Ross Geller Lose Custody of His Son?” →

Don’t Call a Show Good, or Bad, Until The End is Known: On Ballers, True Detective, and House of Cards.

On By DFLovettIn Ballers, HBO, House of Cards, Matthew McConaughey, Netflix, Television, True DetectiveLeave a comment

In a previous post, I mentioned Herodotus’s lesson, to “call no man happy until he is dead.” My specific application of his lesson in that case was to say that the biggest issue with HBO’s Ballers is the tendency for the episodes to end on soft, conflict-free notes.

I hope I didn't hurt the feelings of these guys.
I hope I didn’t hurt the feelings of these guys.

But I also failed to bring the point full-circle, which is that it’s unfair to call Ballers good or bad before we know how it ends. We should get through this season before we trash it. In particular, it’s unfair for me to do this when I can’t stand that the same thing is being done by critics and audiences to another show I love: True Detective. Continue reading “Don’t Call a Show Good, or Bad, Until The End is Known: On Ballers, True Detective, and House of Cards.” →

What exactly is Ballers supposed to be?

On By DFLovettIn Ballers, fast and furious, HBO, Pop Culture, Silicon Valley, Television, The Rock, The Wire1 Comment

Herodotus told us to call no man happy until he is dead. The same is true of television: no series, no season, no episode can be called good until it is over. All endings matter. And it is for this reason that the first episode of HBO’s Ballers is good, while the subsequent two are bad.

The three things that you need to know before you keep reading are a) Ballers is the new Entourage, b) I do not like Entourage, but c) I kinda like Ballers.

Point A is not debatable. Everyone agrees that it is the new Entourage. To be more specific, it’s the “Entourage of the NFL,” and remember that Entourage was always “Sex and the City for men.” Which makes Ballers the “(Sex and the City for men) of the NFL.” (Sex and the City, if you cannot remember it, was the Girls of the late ’90s and early oughts.)

Regarding my dislike for Entourage: I have only seen two episodes. The first two. There was not a single moment during those first two during which I thought to myself that I should continue watching. I gave it two, rather than one, out of a sense of fairness,and because I’d finished The Wire and needed something else to watch. The second episode of Entourage is the worst episode of television that I can recall finishing. It’s a terrible way to spend thirty minutes. I would rather spend thirty minutes on an episode of Duck Dynasty or the first ninety pages of a Dan Brown novel.

Anything with this many smiles = boring.
Anything with this many smiles = boring.

The reason that Entourage is so bad is that it is nothing but watching good things happen to bad people. (I am aware enough of Entourage to know that, yes, the show continues within the mold of bad people, good things, throughout its run).  There is nothing more boring than a television show in which the characters continually get what they want. But enough about Entourage. Let’s discuss the trouble with Ballers. Continue reading “What exactly is Ballers supposed to be?” →

Six Months of Search Terms: Wolverine, His Beard, and The Strange Searches That Lead People Here

On By DFLovettIn A Song of Ice and Fire, Batman, Film, Game of Thrones, HBO, James Bond, Literature, Marmaduke Fart, Matthew McConaughey, Skyfall, Television, The Sand Snakes1 Comment

A few years ago, I wrote a blog post called The Maramduke Fart Paradox, in which I discussed the strange search engine terms that lead people to this website. Among them was “keanu reeves girlfriend 2011,” “mob bosses with sunglasses,” and a wide variety of questions about the ’90s film Blank Check.

Well, the search terms have never stopped being strange. Here are some of the more interesting ones that have lead people to this site.  Presumably some of them left satisfied, some left immediately, and others left far more confused than they were before they visited.

I’ve also decided to do this in the form of a top ten list, because everyone likes top ten lists. But with 14 because I couldn’t narrow it down to 10.

14. skyfall proof that james bond isnt a codename

Whoever ended up here was certainly disappointed, as I consider Skyfall to be proof that James is definitely a codename. Other 007-specific search terms include james bond is a codename, james bond fight, james bond theory, and is james bonds codename 007? (The answer to the last one is undebatebly yes.)

13. matthew mcconaughey as jake in the sun also rises

Wow.  That’s a really cool idea. Not sure if it would work, but yeah, cool idea.

The lone star also rises.
The lone star also rises.

Continue reading “Six Months of Search Terms: Wolverine, His Beard, and The Strange Searches That Lead People Here” →

How Taylor Kitch’s Paul Woodrugh Should Have Been Introduced in True Detective

On By DFLovettIn HBO, Television, True DetectiveLeave a comment

So far, so good, for Season Two of True Detective. Except for one aspect of the first episode that didn’t work for me.

There are four main characters in this season, double the number of the first season. None deserve the label of protagonist. And of the four, none serve less of a purpose in the first episode than Paul Woodrugh (Taylor Kitch)… right up until the very end of the episode, when he serves a crucial role.  That pivotal moment serves as the apparent catalyst for the upcoming season of television: after driving his motorcycle very very fast, Woodrugh decides to stop driving it so fast and pulls off the highway. Then, he finds a dead guy. The dead guy is what brings together the plotlines of our four main characters (although the first two, Colin Farrell’s Ray Valcoro and Vince Vaughn’s Frank Semyon, have been connected since Vaughn’s first scene.)

One of the many moments before his character becomes relevant.
One of the many moments before his character becomes relevant.

The trouble is that the first episode feels bloated, confused, tangled, and that Woodrugh’s unrelated storyline is the least compelling of the four. He feels shoehorned in, and it’s obvious that his scenes (until he finds the body) exist only to give us context for when he does become relevant.   Continue reading “How Taylor Kitch’s Paul Woodrugh Should Have Been Introduced in True Detective” →