I’m one of the lone defenders of True Detective’s second season. So far, I can count on one hand the people I know who actually liked it.
While I disagree with many of the complaints and criticisms that have been leveled and hurled against it, I’ll admit that some of the complaints were grounded in a truth I also see: too many main characters. The pilot felt cluttered, as did many of the episodes. The death of one protagonist (of the four) at the end of the seventh episode came almost as a relief, as it meant we would have fewer plotlines, fewer threads, fewer scenes to cut between in the finale.
There are those who say that, whether or not True Detective was good, you cannot say that it moved the detective genre forward in any meaningful way. I don’t necessarily get on board with that, as I think that this season had moments of devastating brilliance which I’ve already discussed.
What I do think is that the third season, in order to move forward, needs to look back. A story that is more classically noir, in which one character is the detective and this one detective is at the center of every scene. Something that resembles the works of Raymond Chandler or Dashell Hammett, the kind of first person hardboiled narrative emulated by Jonathan Lethem and Bret Easton Ellis, the kind of story where the only facts we get are the ones that we get through the eyes and ears of the protagonist.